Month: July 2017

Night brings the sun (a tale of heroic sacrifice)

[Image: ‘Night brings the sun’ by Jen]

I’ve been running an Exalted 2E game for about 2 years, in which time we’ve managed 14 sessions.

A recent session included the culmination of several plot lines and resulted in a large battle between the PCs, who were leading a militia of a few hundred hastily trained refugees, and a force of spider-like beastmen created by a sorcerous second-circle demon. The beastment were led by terrestrial exalted who were bound to love and serve the demon by mind-bending sorcery. However, the beastmen were only distraction from the army of war ghosts marching up from a nearby shadowland to overrun the refugee township the PCs were defending.

The fight with the beastmen took a hard toll on the PCs, with most of them drained of essence and suffering a few injuries, but one PC (a night caste martial artist) was crippled in the fight. As they were assessing the outcome of their narrow victory over the beastmen, the PCs became aware of the army of ghosts marching from another direction.

As the army of ghosts approached, the PCs – having recently gained access to a salt mine – tried to build a salt line around the village, but realised they wouldn’t have enough to do so, so instead they built a defensive salt line between the village and the army, planning to use some of their various travel charms and magic to encircle the army of ghosts with salt once they drew closer, and then just wait for the sun to rise.

They didn’t consider that the demon would be leading the ghostly army, and one casting of Magma Kraken (a powerful spell that summons tentacles of molten rock from the ground to fight) was able to disrupt their defensive salt line and gave the PCs the problem of dealing with the tentacles before they did any real damage.

This was when the crippled night caste decided to act.

Previously, the night caste had been having troubled dreams, which had led to learning the first few charms of the Quicksilver Hand of Dreaming martial arts style.

For those unfamiliar, the first couple of charms of this style include the ability to give people specific visions or dreams, and then another charm lets you pull those dreams out of people’s heads and manifest them in the real world. The night caste had not, up to this point, really explored the possibilities of this combo.

Realising the likelihood of defeat at the hand of the ghosts, which would mean a terrible end for the village and its 5000 occupants, the Night Caste PC gave a stirring speech in which he called for a volunteer willing to give their life in defence of their home and family.

Then, using an ancient artifact (Wings of the Raptor… a magic cloak turns into giant wings), the night caste flew high into the midnight sky, and with their last remaining essence used a combo of Martial Arts charms charms to give the person a waking dream of the rising sun that burns away the undead.

Then, knowing full well what it would mean to touch the surface of the sun, he plucked out that dream, letting the sun shine brightly for a fraction of a second before it incinerated both the character and his volunteer, but also destroying the entire army of ghosts in a blinding flash.

Between the player first proposing the idea and the final execution, we had a bit of discussion about the implications of the action and the ultimate finality of attempting to hold the sun in the palm of your hand. After considering some alternatives, the player decided to commit to it and we played out the final moment which brought a quick end end to the character and the battle. To background this event, we used the soundtrack from Sunshine: https://www.youtube.com/watch?v=q_b6C0PHXkQ

The final serendipity of the moment was the fact that the group had only just recently learned of the fate of the character’s first age incarnation, who had similarly died when a solar circle spell he had been casting to slay a horde of demons had been disrupted, and he similarly exploded, taking many of the demons with him, but ultimately killing himself and a circle-mate.

Heroic sacrifices are rare moments in roleplaying games – and need to be rare moments in order to maintain the weight and impact of the decision by the character/player – but when they come up in an appropriate moment it can be a real highlight to a game session, and even a whole campaign.

This moment was a great example of the collaborative storytelling of roleplaying, and one of many examples of why I love this hobby.

7 Principles of Good GMing

This blog post began with a joke which, to understand, needs a bit of context.

When I’m not gaming I’m a teacher in Australia, and one of my regular gaming groups includes several other teachers.

In Australia we have a set of professional standards for teachers that inform accreditation, professional learning, evaluations and basically all aspects of a teachers practice.

The first of these is “Know your students and how they learn”. In a conversation about the our recent game, for which I am the GM, one of the players asked about my approach to running games and in response I rephrased the first teaching standard as “Know your players and how they play.”

Great joke, right? You had to be there.

While the comment was flippant, the more I thought about it, the more sense it made to me, and when I thought about the other professional standards, they also translated quite effectively into a gaming context. There seemed to be a lot of overlap between my perception of a good GM and those practices considered ‘best practice’ for teachers.

I wondered; could these inform a set of Principles of Good GM-ing?

While I’ve read many excellent books and blogs about GMing, and while some talk about the qualities or techniques of a good GM, they don’t always succeed in identifying the behaviours and practices that a person might engage in to be a good GM, or to become a better one.

So, with that thought bubble expanding inside my brain, I set about adapting the Australian Professional Teaching Standards into a gaming context to see if they all could be applied to the practice of being a good GM.

So here is my first attempt at coopting the Australian Professional Teaching Standards into the Principles of Good GM-ing

1. Know your players and how they play

A good GM understands the kinds of games, stories, and events that their players find interesting and engaging, and uses those elements to craft plots and narratives that till be fun to play. This does not mean a GM should capitulate to every whimsical desire of every player, but rather a good GM seeks to find an equilibrium in the game that offers something to everyone, rather than forcing a particular style of play on to their group without consideration of players’ preferences.

A common strategy toward this goal is to start the game with a ‘Session 0’ where players and GM can talk about their preferences and expectations and find common ground before commencing play. For the GM, however, it is an ongoing process of observation and adjustment as the game progresses.

2. Know the game and how to run it

The GM should be fairly familiar with the setting and rules of the game being played. While many GMs and gaming groups introduce homebrewed rules and settings, these should be discussed and agreed upon outside of play (when delivering the death blow to one of your players’ characters is never the time to introduce your new house rule that allows certain attacks to bypass or otherwise ignore armour).

The published rules of a game define people’s understanding and expectations of the gaming experience, and the shorter the distance between someone’s expectations and experience, the happier and more satisfied they will be with the experience.

Adhering to the rules faithfully – or flagging variations to the rules ahead of time – is an essential element of trust between GM and players, and that trust is essential to players feeling safe and free to take risks either mechanically, or with their roleplaying.

3. Plan for and implement appropriate  gaming experiences

Every group has it’s own preferred playing style, from the rigidly mechanistic board-game-like dungeon-hack to nearly mechanics-free LARPs to the completely improvised collaborative story-telling.

Whatever your group’s approach, as a GM, you need to ensure you plan appropriately for each session, as even effective improvisation takes some planning and practice.

Your planning may involve a flexible plot outline which is altered by your players’ decisions in game, rehearsing the voice or mannerisms of a major NPCs, you may like to prepare pictures or maps, or maybe you prepare 3D printed dungeons with carefully painted miniatures.

In effect, this standard speaks to the implementation of the first principle, and says that whatever your group’s agreed style of play, make sure you are prepared to deliver on that style.

4. Create and maintain supportive and safe gaming environments

Like any collaborative activity, roleplaying depends on a certain amount of trust between players and GM. That trust depends on all participants feeling safe and supported within the gaming environment in order to take risks and engage in the game in new and interesting ways.

While roleplaying is usually a collaborative activity among friends or peers, and as such everyone has some responsibility towards a positive gaming environment, the GM holds at least symbolic significance within the group and has a larger-than-average role to play in establishing the tone and nature of gaming group interactions.

Consider particularly the way in which you handle queries or disagreements over rules, or the distinct separation of dialogue directed at characters compared to players, but also how effectively you implement the first 3 principles will contribute significantly to players’ feeling safe enough to take risks within the game.

5. Acknowledge and respond to player contributions to the game.

(This one is the most modified from the original language of the Teaching Standard)

Almost all games contain a mechanism for character advancement through the earning of Experience Points (XP), Karma, or other abstract representations of growth-through-experience that can be used to advance a character’s ability. In the first instance, this principle is about the appropriate use of such systems to acknowledge and reward desired behaviours within the game.

Secondly, and perhaps more significantly, this principle is about player agency. Agency – being the perception or belief that ones actions result in a meaningful effect – is a key part of enjoyment within a roleplaying game, as well as a significant contributor to a person’s overall sense of wellbeing. Few things are more demotivating than the belief that one’s own actions are pointless and this is as true in roleplaying games as it is in the workplace or more generally in life.

As such, the good GM considers the actions of players and their characters and allows them to have an effect on the game, to influence the setting, the outcome of a scene, or even the direction of future stories.

This is part of the collaborative storytelling process that exists to varying degrees within all roleplaying games.

6. Engage in ongoing learning

At its core, this principle is an acknowledgement of the fact that being a good GM is ultimately a process of ongoing effort, rather than a fixed state of being. A good GM is not something you are, but rather Good GMing is something you do.

As an extension of the second principle, to be a good GM, be prepared to continually revise aspects of your game, your story, the published rules, your session notes, etc. It is a rare human who could have an encyclopedic knowledge of all the rules within a single gaming system, or the nuances of the setting that might be relevant to an upcoming session. For the majority of us, it requires an ongoing process of revising rules, adjusting ideas, seeking inspiration form other sources, or even just reflecting on what went well or could have been improved from previous session.

7. Engage with other GMs, players, writers and the gaming community

Roleplaying is a collaborative, community-based activity. As such, your practices as a GM can only be improved or enriched by engaging with the game from a community perspective. Whether it comes in the form of ongoing discussion with your group, participating in online forums, contributing to Q&As about particular topics relevant to your game, any broader engagement will ultimately provide you with opportunities to test and expand your ideas and understanding of your game.

 

So that’s it. A model of Good GMing derived from the Australian Professional teaching Standards. This is still very much in draft form, however I feel there’s enough here to be worthy of refining over time.

What do you think? Is there any aspect of being a Good Gm that you think isn’t covered in these 7 principles? Or is there something here that you don’t agree is necessary in order to be a Good GM? Let me know in the comments below.